Agoraphobia

The Agora movie is sure to lead to Hypatia hype, however it's presentation of Church History will also lead both to Agora- and Christianophobia.

So it is not puzzling that there are symptoms of protests in some areas.

Just days before the release of the new movie “Agora” by Spanish director Alejandro Amenabar, civil rights organizations are denouncing the film for promoting hatred of Christians and reinforcing false clichés about the Catholic Church.

As if there is a need for such after Angels and Demons.

Marcos reminded Amenabar of the comments made by people who have already seen a private screening of the film and which Amenabar himself echoed during a television interview.

During the interview he said, “At the end of the film, people sitting near me said Christians are bunch of SOBs.”

On the other hand, such responses may lead to an... interesting public discourse.

In response to Amenabar’s statements that the film “is not against Christians but rather against those who set off bombs and kill in the name of God, that is, against religious fanatics,” Marcos wondered why the director has not recreated situations like those that take place in the Middle East.

Of course, arguing against muslim extremists vicariously, through alleged Church History, is a great and traditional Western sport.

Which requires far less courage.

On the side of the angels

Massimo Introvigne of the Center for Studies on New Religions has been interviewed on Angels and Demons.

As a rather conservative catholic it is no surprise he is somewhat critical. Not to mention scathing.

And it all goes to show the truth in the Second Law of Davidsen: If Dan Brown has said something it is probably wrong.

The interview has a lot of good stuff on Illuminati and secret societies. Introvigne knows his facts when it comes to "La Purga" as well.

And about the alleged castration of Rome's pagan statues. As so often with Dan Brown, the story is rather the other way around.

Did the “great castration” of the “pagan” statues by the Blessed Pius IX (1792-1878) really happen?

Introvigne: No, it didn’t. The legend dates back to English-language anti-clerical pamphlets of the late 19th century. What is true is that certain statues had their prominent genitalia covered by fig leaves. This happened at various stages during the 17th, 18th, and 19th century (not only in Rome) and was certainly not a new idea of Pius IX. The claim in the movie that pagan statues in the center of Rome were destroyed by Pius IX “at the end of the 19th century” is preposterous. At “the end of the 19th century” Pius IX was dead, and the center of Rome was administered by the (quite anti-clerical) Kingdom of Italy. If anything, Pius IX had a keen interest in archeology and in restoring the ancient historical and artistic monuments of Rome. He was even criticized for this by Catholics who believed that supporting Roman archeology was not part of the Church’s mission, or a waste of its resources.

He even tackles the one dollar question.

But wasn’t the back part of the Great Seal of the United States, the one we still see on the dollar bill, a symbol of the Illuminati?

Introvigne: No, no matter how many books (and movies) claim it. The pyramid and eye symbol is never found among the Illuminati. Actually it is not even a Masonic symbol, although there are similar symbols in Freemasonry, where a fascination with Egypt was widespread in the 18th and 19th century. The particular pyramid used in the Great Seal was derived from Pyramidographia, a book published in 1646 in London by John Greaves (1602-1652), based on his trip to Egypt. The eye was introduced by Congress Secretary Charles Thomson (1729-1824) – who was not a Freemason – in his 1792 speech prior to the seal’s Congressional acceptance as a very Christian “eye of the Providence” presiding over the destiny of the United States. As such, it is featured in a number of Christian churches and symbols, quite apart from, and well before, its use within the frame of Masonic rituals.

One interview you will not regret reading.

Hollywood hypes Hypatia

The neoplatonic philosopher Hypatia is a fascinating figure from late antiquity.

Not the least as she has been used so often and intensely to symbolise and propagate the myth about the Church's "Warfare with Science", another of those Icons of Modernity painted in the 18th and 19th Century.

Fortunately a new film may provide ample opportuinity to set the story more straight. At least it is a good sign that it so quickly has been denounced for the nonsense it is.

As an atheist, I'm clearly no fan of fundamentalism - even the 1500 year old variety (though modern manifestations tend to be the ones to watch out for). And as an amateur historian of science I'm more than happy with the idea of a film that gets across the idea that, yes, there was a tradition of scientific thinking before Newton and Galileo. But Amenabar has taken the (actually, fascinating) story of what was going on in Alexandria in Hypatia's time and turned it into a cartoon, distorting history in the process.

However, as Christianity is the in-thing to slam these days (and has been for a century or two), all is allowed in the name of love and science.

From the press release timed to co-incide with the film's screening at Cannes this week:

Played by Oscar-winning British actress Weisz, Hypatia is persecuted in the film for her science that challenges the Christians' faith, as much as for her status as an influential woman.

From bloody clashes to public stonings and massacres, the city descends into inter-religious strife, and the victorious Christians turn their back on the rich scientific legacy of antiquity, defended by Hypatia.

So we are being served up the idea that Hypatia was persecuted and, I'll assume, killed because "her science ... challenges the Christians' faith". And why have a movie with one historical myth in it when you can have two:

"Agora" opens with the destruction of the second library of Alexandria by the Christians and Jews -- after the first, famous library which was destroyed by Julius Caesar.

At least he's done his homework enough to realise that the decline of the Great Library was a long, slow deterioration and not a single catastrophic event. But he still clings to Gibbon's myth that a Christian mob was somehow responsible. And rather niftily invents a "second library of Alexandria" so he can do so.

With an imagination like that, who need sources?

Make sure you read more of the excellent review here. And heed the moral:

Unfortunately for those who cling to the "conflict thesis", the history of science actually has very few genuine martyrs at the hands of religious bigots. The fact that a mystic and kook like Giordano Bruno gets dressed up as a free-thinking scientist shows how thin on the ground such martyrs are, though usually those who like to invoke these martyrs can fall back on citing "scientists burned by the Medieval Inquistion", despite the fact this never actually happened. Most people know nothing about the Middle Ages, so this kind of vague hand-waving is usually pretty safe.

Unlike Giordano Bruno, Hypatia was a genuine scientist and, as a woman, was certainly remarkable for her time. But she was no martyr for science and science had zero to do with her murder. Exactly how much of the genuine, purely political background to her death Amenabar puts in his movie remains to be seen. It's hoped that, unlike Sagan and many others, the whole political background to the murder won't simply be ignored and her killing won't be painted as an act of ignorant rage against her science and scholarship. But what is clear from his interviews and the film's pre-publicity is that he has chosen to frame the story in Gibbonian terms straight from the "conflict thesis" textbook - the destruction of the "Great Library", Hypatia victimised for her learning and her death as a grim harbinger of the beginning of the "Dark Ages".

And, as usual, bigots and anti-theistic zealots will ignore the evidence, the sources and rational analysis and believe Hollywood's appeal to their prejudices. It makes you wonder who the real enemies of reason actually are.

If nothing else it also proves how dangerous it can get when blind faith gets in the way of facts. Which rarely is seen clearer than in the blind faith in the Warfare between Religion and Science.

Cats and credulity

Among a myriad of myths on the Medieval Church is the order to kill cats, millions of them. Which helped contribute to the Black Death, as it was spread by fleas on rats. While other cultures kept their cats and were far less severely hit.

One never gets used to the lack of elementary logic and research behind such stories. It shouldn't take long to see that the Black Death was not much less virulent in China and the Middle East. And that one strand of the plague was air born. Breathing the germs hacked up by someone having it, made you easily get it.

In short, looking at sources provides a different picture.

Cats suffered horribly during witch hunts, which fostered or encouraged all kinds of superstition and brutality. Yet manuscripts show them about the house, playing with the spinster's twirling bobbin, and earning their living on farms. (Excerpts from: Lost Country Life by Dorothy Hartley. New York: Pantheon Books, 1979).

It is hard to avoid the feeling that while the sources tell us that cats were loved and abundant, one has to stick with the myth, as everyone just know it is true.

And it all seems alligned to modern day satanist crazes (and more here).

Still, the standard story is everywhere, even serious places.

"Though cats had always behaved in this manner, to the superstitious minds of the Middle Ages, cats were practicing supernatural powers and witchcraft. Most accused witches were older peasant women who lived alone, often keeping cats as pets for companionship. This guilt by association meant that roughly a million cats were burned at the stake, along with their owners, on suspicion of being witches".

To state the obvious, as no witches were burnt in the Middle Ages, this means that no cats were burnt either. Point proven.

Or perhaps the story is quite another?

"It took the authorities some time to figure out the cause of the problem. At one point they tested the theory that the disease was being spread by dogs and cats; thus the mayor of London ordered the execution of all such pets. Despite the extermination of millions of companion animals, however, the plague did not abate but actually accelerated, for, of course, the elimination of all cats was soon followed by an explosion of the rat population.

Eventually it became evident that people who had kept cats, in violation of the law, fared better; for the cats, according to their nature, killed the rats that carried the fleas that really carried the plague. People slowly began to deduce the rat-flea-disease connection. When the truth finally came to light, cats were quickly elevated to hero status, and soon became protected by law.”

So in reality it was all due to science. The authorities made a testable hypothesis, which then was falsfied.

From this we learn again how dangerous science is. It poisons everything. So be sure to visit you nearest hospital if you ever get hit by a scientist.

Exile from Babylon

One of my Fav Historians, Philip Jenkins of Hidden Gospels: How the Search for Jesus Lost Its Way fame, has just written an article (and a book) on the Church in the Middle East, Africa and Asia.

Across much of the Middle East, the ancient Christian story seems to be coming to a bloody end almost before our eyes. The most dramatic catastrophe in recent years has been that of Iraq's Christians, who represented 5-6 percent of Iraq's population in 1970. That number is now below 1 percent, and shrinking fast in the face of persecution and ethnic/religious cleansing.

Western Christians watch this story in horror, but few claim detailed knowledge of the situation, or can easily recognize the Iraqi churches we read of in the news. Are they perhaps the survivors of some Victorian missionary enterprise? we wonder.

Actually, understanding the history of Iraq's churches should make us still more keenly aware of the tragedy we see unfolding. Not only are these churches — Chaldean, Assyrian, Orthodox — truly ancient, they are survivals from the earliest history of the church. For centuries indeed, the land long known as Mesopotamia had a solid claim to rank as the center of the church and an astonishing record of missions and evangelism. What we see today in Iraq is not just the death of a church, but also the end of one of the most awe-inspiring phases of Christian history.

Be sure to catch Jenkins' book The Lost History of Christianity: The Thousand-Year Golden Age of the Church in the Middle East, Africa, and Asia — and How It Died.

Agoraphobia?

A new movie - Agora - about the concflict between paganism and Christianity is planned. It is

set in Roman Egypt in the fourth century A.D. Weisz plays astrologer-philosopher Hypatia of Alexandria, who fights to save the collected wisdom of the ancient world. Her slave Davus (Minghella) is torn between his love for his mistress and the possibility of gaining his freedom by joining the rising tide of Christianity.

Hopefully they will avoid the blunders of making the murder of Hypatia symbolising the "fall" of the Ancient World, not to mention the destruction of the Library of Alexandria.

It is however definitely a good sign that they seem to see Christianity as giving hope for the slaves.

Though a tad of agoraphobia may for once be in order.