As I have finally been able to sit down and watch Pär Lindh Project's (PLP) latest offering, Live in Poland, the verdict is simply that few lovers of adventurous music (or progressive rock (or neo-baroque as Pär calls it)) will regret doing the same.
This is pure Pär, in a set of great instrumentals with William Kopecky on bass(es), and Svetlan Raket on drums. While he is not as daringly modern in his choice of classical influences as Keith Emerson (and definitely not as wild), he is a head and shoulder or two above most of today's keyboardplayers.
Subtle elegance and carefull electronicity, or in short Rick Wakeman meets Jordan Rudess. Pär mentions in an interview Bach, Beethoven, Mussorgsky & Wagner as the classical composers he finds closest to prog, and it shows in his performance.
It is fun and rather impressive to see how much he enjoys playing Hammond, synths and piano (and moving quickly between them, not to mention the classic Emerson stunt of playing one with each hand while looking straight ahead). Not to mention a good ragtime thrown in for fun. No knives or daggers, though.
While the opening number may be a bit hard to get into (especially if you're not familiar with Mussorgsky), the rest of the show flows along with the neo-baroque flame kept very strongly alive.
The track list:
1. Night on Bare Mountain (incl. The Black Stone)
2. Baroque Impression
3. Mundus / Veni Vidi Vici Medley
4. Suite in Progress
5. Montagues & Capulet
6. Bill's Solo
7. Gradus ad Parnassum
There is also an interview with Pär. And a deluxe edition with a CD as well.
Some snips here.
Pär's homesite is well worth a look - make sure to check out the interviews (including the stuff about The Nice and Keith).
Go get!
This is pure Pär, in a set of great instrumentals with William Kopecky on bass(es), and Svetlan Raket on drums. While he is not as daringly modern in his choice of classical influences as Keith Emerson (and definitely not as wild), he is a head and shoulder or two above most of today's keyboardplayers.
Subtle elegance and carefull electronicity, or in short Rick Wakeman meets Jordan Rudess. Pär mentions in an interview Bach, Beethoven, Mussorgsky & Wagner as the classical composers he finds closest to prog, and it shows in his performance.
It is fun and rather impressive to see how much he enjoys playing Hammond, synths and piano (and moving quickly between them, not to mention the classic Emerson stunt of playing one with each hand while looking straight ahead). Not to mention a good ragtime thrown in for fun. No knives or daggers, though.
While the opening number may be a bit hard to get into (especially if you're not familiar with Mussorgsky), the rest of the show flows along with the neo-baroque flame kept very strongly alive.
The track list:
1. Night on Bare Mountain (incl. The Black Stone)
2. Baroque Impression
3. Mundus / Veni Vidi Vici Medley
4. Suite in Progress
5. Montagues & Capulet
6. Bill's Solo
7. Gradus ad Parnassum
There is also an interview with Pär. And a deluxe edition with a CD as well.
Some snips here.
Pär's homesite is well worth a look - make sure to check out the interviews (including the stuff about The Nice and Keith).
Go get!
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